SAMSON ET DALILA 삼손과 데릴라
Korea National OPERA​​​​​​​
• Opera theatre, seoul arts centre
thu. 07. 10. 2021  -  sun. 10. 10. 2021 

• Daegu Opera House
fri. 29. October. 2021  -  sat. 30. October. 2021

• changwon arts hall (grand theatre)
fri. 17. december. 2021  -  sat. 18. december. 2021
TEAM
STAGE DIRECTOR: Arnaud Bernard
CONDUCTOR: Sebastian Lang Lessing
SETS DESIGNER: Alessandro Camera
COSTUME DESIGNER: Carla Ricotti
LIGHTING DESIGNER: Jacopo pantani
HAIR&MAKE UP DESIGNER: 이정수 (jung soo Lee)
ASSOCIATE STAGE DIRECTOR: Yamala lrmici, 김동일 (DOng il Kim)
ASSISTANT STAGE DIRECTOR: 서채아 (CHAEA SEO), 조은비 (Eun bi Jo), 나하영 (HA Hayeong NA)
CAST
Samson: Christian Benedict, 국윤종 (Oliver Kook)
Dalila: 김정미 (Jung mi Kim), 이아경 (Ah kyung Lee)
Dagon: 사무엘 윤 (Samule Yun), 이승왕 (Seung wang Lee)
Abimélech: 전승현 (Seung hyun Jeon)
Old Jewish: 김요한 (Johan Kim)
Messenger: 원유대 (yu dea Won)
Philistine1: 김주완 (Ju wAn Kim)
Philistine2: 신명준 (Myung joon Shin)
노이오페라코러스 (Noi Opera Chorus)
국립심포니오케스트라 (THE KOREA SYMPHONY ORCHESTRA)
Synopsis
In the 1940s, as Jewish people faced persecution from the Nazi forces, they felt abandoned by God. At this time, a man named Samson emerges, injecting courage into the Jewish community by promising that vengeance will be successful. However, the Nazis employ a German spy named Delila to thwart his efforts, and she captivates Samson's heart. Despite revealing his secrets to her, Delilah betrays Samson by summoning the Nazis to arrest him. Samson escapes by throwing himself out of a window, only to be shot by Nazi gunfire. He is tortured and loses his sight. The Jewish synagogue deteriorates into a debauched space for Nazi entertainment and hospitality. Then, under the escort of the SS, Samson reappears, declaring that divine retribution is imminent. Finally, accompanied by the sound of an explosion, the Jewish synagogue collapses, and divine vengeance is achieved.

I worked as an Assistant director on this project.
Key Responsibilities
• Coaching Helping the Artists: Assisted artists and choir in achieving outstanding performances.
• Scheduling and Coordination: Organised and coordinated rehearsal schedules for efficient practice.
• Documentation: Prepared and managed various administrative documents.
• Stage Rehearsal Management: Planned and executed on-stage rehearsals.
• Inter-departmental Communication: Facilitated smooth communication between different departments.

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